'They don't build them like they used to' became the mantra adopted by many in the guitar-playing public. Players and vendors began to refer to vintage guitars as 'Pre-CBS' and demanded a higher premium for them than the new instruments. In addition, the huge output of the conglomerate could not compete with the relatively low-output and attention to quality and detail that the original company had enjoyed. However well-intentioned, the net effect of these 'improvements' was a gradual change in playing characteristics that became pronounced enough for guitarists to notice. The three-bolt neck was easier to adjust. The revised paint formula was thicker and also held up better to hard use.
Most of the changes were made with good intentions, mainly to increase the durability of the instrument. The Strat received a three-bolt neck design to replace the four-bolt. Paint formulas changed.Įlectronics were re-designed as a money-saving measure, and wood quality was not as aggressively controlled. The headstock itself was enlarged so that the logos would be more noticeable. Pick guards that turned green with age were replaced. However, not all of the changes were welcomed by musicians. Indeed, CBS greatly increased the output of the Fender organization, making the instruments even more available world-wide and constructing the huge, new Fullerton factory complex. In early 1965, the CBS corporation bought the Fender Musical Instruments company and immediately began to streamline production processes in an attempt to reduce costs and maximize the profitability of their investment. My research shows that vintage Danos have either a 3 or 4 digit serial. Learn about an individual’s criminal history and find out the details about their prior offenses. Use Criminal Records Search to uncover all that you can about someone's past. With its integrated floating 'tremolo' arm, triple single coil pick-ups with unique tones, shaved shape to fit the body of the player, and all the advantages of the solid construction and interchangeability of parts enjoyed by the Telecaster, the Stratocaster would take over the rock and roll world and become the most imitated design in the industry.ĮVerify can help you uncover the identity of the person behind the phone number. The designer, who ironically was not a guitarist himself, continued to tweek and improve on the design of the Telecaster, hoping to completely replace the model with the even more modern Stratocaster design. Leo Fender listened to his critics-often well-known musicians who road-tested his products. The design also greatly simplified production and allowed the owner to do more of his own work on the instrument. Replacing a neck was as simple as unbolting one and bolting on the other, something which simply could not be done with guitars having a set neck.
Essentially a slab of solid wood, the early Fender models were the antithesis of the much more complex and expensive electric guitars-such as those manufactured by Gibson-and had the added advantage of the exchangeability of parts.
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